#PLAY INSIDE OUT THE MOVIE MOVIE#
#PLAY INSIDE OUT THE MOVIE TV#

I can hear the story, I donвЂ™t need to hear the words. I remember starting to watch movies in a completely different way. That taught me so much about the emotional undercurrent of what is happening in storytelling. I remember one day going to my piano teacher when I was still in high school and saying, вЂњExplain to me what is happening underneath the melody that makes me feel something.вЂќ He said, вЂњLike chord progressions?вЂќ I said, вЂњWhatвЂ™s that?вЂќ He showed me, and this whole explosion just sort of happened in my head. What I did love was sitting down at the piano when no one told me to and just mess around. I hated taking piano lessons because I hated practicing scales. When I was in high school, I started writing music.

There was a subversive way to learn about art in the way television and films were produced when we were growing up. ItвЂ™s sort of the way the business is going. They used live musicians, and they recorded every week for all kinds of shows, even the Hanna-Barbera stuff, which I loved, like вЂњThe Flintstones.вЂќ I feel so lucky because kids growing up today watching cartoons, there is hardly any live music.

#PLAY INSIDE OUT THE MOVIE TV#

I feel like I learned so much about music and drama from watching and listening to TV growing up. What did you get out of watching and listening to film and TV as a kid?

#PLAY INSIDE OUT THE MOVIE MOVIE#

I said, вЂњThis is how your movie made me feel.вЂќ I did that for вЂњUp.вЂќ I did that for вЂњInside Out.вЂќ I did it for вЂњTomorrowland.вЂќ ItвЂ™s a great way for the director to sit and listen and feel that we are in the same head space. On вЂњJurassic World,вЂќ thatended up being an 18-minute suite that I wrote. IвЂ™ll go home and sitdown and IвЂ™ll write a piece of music that sort of reflects how I felt about the movie. I write down вЂњI want this here and this here and this hereвЂќ and what tempo. I think about all the hits that I have to do.

The first thing I do is sit and watch the scene and tap out on my leg what I feel is the rhythm. A good editor is always finding a rhythm to cut to. I find the tempo that the editor has set. The important thing is to watch the movie from end to end. The first thing I wanted to be as a kid was an animator. I love filmmaking, and I will go to the set and watch them film. When I ask the question, IвЂ™ll know emotionally if we are going to be in the same place.Дo you see dailies then or just wait until the film is completed? One of the first things I ask is, вЂњWhat is the saddest moment in the story to you?вЂќ That is important for me.

24, 2021, the film features all-new songs by EmmyВ®, GRAMMYВ® and Tony AwardВ® winner Lin-Manuel Miranda (вЂњHamilton,вЂќ вЂњMoanaвЂќ) and is directed by Byron Howard (вЂњZootopia,вЂќ вЂњTangledвЂќ) and Jared Bush (co-director вЂњZootopiaвЂќ), co-directed by Charise Castro Smith (writer вЂњThe Death of Eva Sofia ValdezвЂќ), and produced by Clark Spencer and Yvett Merino Bush and Castro Smith are screenwriters on the film.I try not to read the script if I can because having grown up making movies, when I read a script I just sort of envision my own version. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional familyвЂ™s last hope. The magic of the Encanto has blessed every child in the family with a unique gift from super strength to the power to heal-every child except one, Mirabel (voice of Stephanie Beatriz). Walt Disney Animation StudiosвЂ™ вЂњEncantoвЂќ tells the tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto.

Play inside out the movie